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My own J-school experience was that of the ultimate craft school. I went to Northeastern University in the 1970s, loaded up on courses in everything from how to write a lead (which I refuse to spell "lede") to how to use a crop wheel, and hung out at all hours in the offices of the Northeastern News. Because Northeastern had a co-op program, I spent my most of my non-academic semesters as a rookie reporter at the Woonsocket Call, in Rhode Island. It was great fun, but I graduated with the distinct feeling that I'd forgotten to get, you know, an education. So it was off to five years of night school at Boston University, where I earned a master's in history. I came away from the experience thinking that, at the undergraduate level, craft-like journalism courses should comprise no more than a minor, and that the whole notion of a graduate-level J-school was absurd. Other than some basic courses in news and feature writing, and maybe a few specialized seminars on libel and investigative reporting, it's hard to think of anything that a journalist should know that's different from what any educated person should know. Universities should be thinking of innovative ways to teach media culture, but the media are such a pervasive part of our lives that everyone should learn to think critically about them, not just aspiring journalists. I wonder whether Columbia might be better off taking almost a fellowship approach similar to the Nieman program at Harvard, except that it would be for journalists at the beginning of their careers rather than in the middle. The J-school would continue to exist in a stripped-down form and the fellows would pursue independent study within the university, but under the guidance of J-school faculty. Of course, a few craft-oriented seminars could be offered, too. But journalism school can't be like law school or medical school: journalism isn't a trade or a profession, and, other than following a few broad principles (be accurate; be fair; don't be boring), there is no right or wrong way to do things. J-school, especially at the graduate level, should reflect the eclecticism and diversity that the media--and the public--want and need, and very rarely get. Dan Kennedy is a contributing
writer for the Boston Phoenix, and the 2001 winner of the National Press
Club's Arthur Rowse Award for Press Criticism. He is currently writing
a book, Little People: A Father Reflects on His Daughter's Dwarfism
-- and What It Means to Be Different, to be published by Rodale in
the fall of 2003. HOME | INTRODUCTION | FORUM | ESSAYS | BACKGROUND |
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