Thirty Years Later: Title IX Still Controversial
by Matt Sedensky

Equal Opportunity Coaching
by Allison Steele

The New Female Athlete
by Margarita Bertsos

Overtraining and Undereating
by Falasten Abdeljabbar

Playing Like a Girl
by Sasha Stumacher

Women's Tennis: The Marketing Model
by Daniel Mitha

Who Gets The Ball
by Anne-Marie Harold

Selling Skin
by Suzanne Rozdeba

SlamJam and the Future
by Mike Gorman

Playing Out Identity
by Maya Jex



Women's Tennis: The Marketing Model
Part 4: The Next Wave

Women’s tennis now consistently outpaces men in TV ratings. Between 1997 and 2000, more viewers watched the women’s finals than the men’s finals in eight of twelve Grand Slams. The British cosmetics company Sanex is the tour’s namesake sponsor and prize money, topping a twenty-nine year growth spurt at $47 million, is bigger than ever. The WTA also has a deep well of talented and marketable players.

Venus Williams recently extended her contract with Reebok for $40 million, the largest contract ever for a female athlete. Arnon Milchan said in the London Observer that Martina Hingis has developed a taste for "paste jewelry and split dresses." As for Anna Kournikova, her off-court success and marketing wit set new standards for player promotion.

Not everyone in the WTA, though, agrees with its use of sexy selling points. French player Nathalie Tauziat has published an unflinching critique of the women’s tour in a book called "Les Dessous du Tennis Femin" (The Underside of Women’s Tennis). In it she calls out tournament directors and agents for allowing "aesthetics and charisma" to trump "sporting performance."

    Nathalie Tauziat sticks her tongue out at women's tennis marketing today
(La Page de Nathalie Tauziat)

Not surprisingly, Tauziat is especially wary of the Anna phenomenon. "For the WTA Anna is a real cash till," she writes. "Everyone around her competes with each other to sell her image as Lolita with the perfect figure. Who else but Anna could inspire a TV programme [sic] on the trouble line judges have in concentrating when they are seated behind her?

"If she obtains results to match her beauty, Anna will be the most adored player in history," admits Tauziat. "If she fails, the system can crush her."

In her book, Tauziat also alleges that the WTA and select tournament officials have drawn up a secret "Commitment List." The list commits 20 players and ranks them on their ability to fill stadiums.

Throughout 1999, Tauziat was a mainstay in the women’s top ten. On the "Commitment List" she ranked number 15. By fulfilling her commitment to appear in a specified number of WTA tour events, she was paid $15,000. Kournikova, who peaked at number 15 in world rankings that year, was 6th in terms of marketability and stood to collect $100,000 in commitment bonuses.

The WTA would not comment on the "Commitment List."

Marketers of women’s tennis follow closely cultural trends. For further evidence, one needs only to look at a recent press release for 15-year old American prospect Monique Viele. It reads: "She rivals a champion thoroughbred with her physical grace and beauty. Her long, lean, tanned, muscular legs are both an attribute to her good looks and her speed on the court… She looks more like a supermodel than a tennis player."

Cha-ching.


         




PAGE 1:
Women's Tennis: The Marketing Model>>

PAGE 2:
A Good Script for the Price>>

PAGE 3:
Sponsorship Woes>>

PAGE 4:
The Next Wave

 










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